Piercing Time Sarah Till

Piercing Time Sarah TillPiercing Time examines the role of photography in documenting urban change by juxtaposing contemporary rephotographs taken by the author with images of nineteenth century Paris taken by Charles Marville, who worked under Georges Haussmann, and corresponding photographs by Eugne Atget taken in the early twentieth century. Revisiting the sites of Marvilles photographs with a black cloth, tripod and view camera, Peter Sramek creates here a visually

the authors investigate the ever-shifting forms and meanings at work within Greece’s national cinema and locate it within the booming interdisciplinary study of European cinema at large

Smith looks at its readers’ responses to male pinups and erotica and explores the intricacies of women’s unique reactions to pornography

This book is a reponse to this very important question

He’s often described as a short man with a stocky figure who can see into the heart of evil

at long last

literature and film

beginning with an original story to the collection

Dreamcatcher and 1408 as well as the much-neglected portmanteau films and touchstones like The Shawshank Redemption and The Green Mile

place and design across architecture

a lavishly illustrated and expertly curated celebration of an incredible career

and begins to dabble in witchcraft

artistic perspective